It is hard to imagine a large city without policemen, but such was the situation in London in the early part of the eighteenth century. There was no 1police force to 2criminals. There were public 3or Charlies, as they were called, but they were generally feeble old men, unfit for more strenuous assignment than calling out, "Past ten o'clock and a cold, frosty morning."
There were also constables appointed to keep the 4. From as far back as 1252, constables had been appointed for each parish in England. The 5of constable was an honor, given only to 6men.
The constable was unpaid, however, and not 7to do more than carry out the law in country towns and villages where the commonest crime was likely to be the theft of someone's 8 . In London more serious crimes were committed ;as the work of the constable became more difficult and dangerous, the men who 9have done it paid others, less respectable and less efficient, to do it for them.
It was part of the constable's duty to 10the "hue and cry" after an escaping criminal. 11 hearing the hue and cry, all passersby were 12to join in the pursuit, but in practice, not many passersby could be 13to help. It was 14dangerous a task, and the constable was 15 . Anyway, in the squalid surroundings that criminals 16, the passersby were generally on the fugitive's side .
Within the City of London 17another city, in which a criminal was safe. It was a city of poverty, tightly 18 with wood-and-stone hovels overhanging narrow, filthy courtyards. The fleecing criminal would dodge from court to court through the maze of twisting streets, finally 19into a house or climbing across the sloping roofs. Meanwhile his friends did their best to mislead, trip, or even 20the handful of “thief takers” who came after him.
1.A.formed B.united C.organized D. selected
2.A.catch B.catch up with C.overtake D. take prisoner
3.A.doormen B.dustmen C.street walkers D. watchmen
4.A.calmness B.stillness C.peace D. silence
5.A.employment B.task C.position D. seat
6.A.energetic B.powerful C.strong D. trustworthy
7.A.eager B.expected C.hoped D. wished
8.A.wallet B.wash C.watch D. wealth
9.A.could B.might C.must D. should
10.A.lift B.put forward C.raise D. rise
11.A.About B.In C.On D. Through
12.A.Asked B.encouraged C.required D. supposed
13.A.Advised B.encouraged C.forced D. persuaded
14.A.more B.still C.such D. too
15.A.Armed B.Armed-to-the-teeth C.disarmed D. unarmed
16.A.frequented B.sometimes visited C.passed by D. worked now and then
17.A.lay B.lie C.laid D. situated
18.A.placed B.packeted C.packed D. parked
19.A.damping B.ducking C.digging D. dropping
20.A.hurt B.knife C.kick D. wound
科目:高中英语 来源: 题型:051
For a 400-year-old art form, operas had a bad fame: overweight actresses singing the words which are hard to understand in one of those romance languages you were supposed to learn in high school. And with tickets costing as much as $145 a performance, operagoers also have a certain appearance in people’s mind: rich, well-dressed and old.
But now opera companies around the country are loosening their ties and kicking off their shoes in an attempt to bring the opera to the audience (观众) it needs to keep it alive, the young and not-so-rich.
Opera producers have found that to attract this crowd, they need to make the opera closer to common people. That means no formal suits, old-styled theatre or bank-breaking ticket prices. And because young people don’t or won’t come to the opera, companies are bringing the opera to them, giving performances in such usual places as parks, libraries and public schools.
The Houston Grand Opera’s choice is the public library, where it performs “mobile operas”, shortened versions (剧本) of child-friendly operas. This summer’s production is Hansel & Gretel. By performing smaller versions of large productions, producers are able to make people interested while keeping costs at a reasonable level. The San Francisco Opera, which will be celebrating its 75th anniversary (周年) this year, is staging Cinderella free of charge, keeping costs down by employing students from its Young Artists’ Training Program.
1. Which is the main idea of this passage?
A. Opera is famous for its long history.
B. Opera is only performed for rich people.
C. Young people are not interested in opera.
D. Opera companies are trying to keep opera alive.
2. The underlined phrase “loosening their ties and kicking off their shoes” means ______.
A. breaking up the old rules B. changing the formal suits
C. making the audience at ease D. advertising themselves
3. Opera companies prefer to perform short versions because _______.
A. it is hard to find long versions
B. short versions are easy to perform
C. they can perform in public libraries
D. they can make people come to opera
4. The San Francisco Opera Company employs student actors in order to _______.
A. celebrate its 75th anniversary B. reduce the cost
C. attract young people D. make Cinderella popular
5. From the passage we can infer that _______.
A. the tickets for operas are very expensive
B. operas are performed in a difficult language
C. operas are not so popular an art form today
D. students enjoy performing operas very much
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