题目列表(包括答案和解析)
下面是美国长大的台湾人气歌手Wang Lee Hom在接受CNN Talk Asia栏目专访时,回答了主持人Lorraine Hahn提出的五个问题。请从下列提问(A、 B、C、D、E和F)中选出符合各小题要求的最佳选项。
A. What do awards mean to you?
B. How would you describe your style?
C. What is it about acting that’s so attractive?
D. How do you deal with this loss of privacy?
E. How do you divide your time in acting and music?
F. What gave you the idea to start the studios in the first place?
Born in New York in 1976, Wang grew up in the United States. Blessed with a mix of brains and talent, he spent his youth performing in local musicals. While in university, Wang landed a recording contract in Taiwan. His breakthrough album firmly established him as a rising star in the Asian music scene. In addition to writing and producing his own music, Wang has also taken part in movie projects around Asia. He has won a great popularity, and now he is having an interview with CNN Talk Asia.
1. _______
WL: It is a school of hip hop, which is the way I like to think of it. It combines Chinese elements and sounds. I started it off in my last album called Shangri-La. And this album combines the music of ethnic minorities, in China, in Tibet, and in Mongolia. It’s beautiful and original to Chinese culture. And this new album called Heroes of Earth combines Opera and Quench, which are thousand-year-old traditions also unique to Chinese culture. Very unique instruments, costumes, singing styles. I don’t think anyone has ever done this before in the hip hop world.
2._______
WL: Um, just the large quantity of work that I have to come up with. I produce for other artists and compose for them as well. And there are a lot of changes in music going on right now in Asia. And it’s really exciting so I decided that I’m going to need a studio in New York. I’m going to need a studio in Taipei. And maybe the rest I can get by with just my laptop.
3._______
WL: Well, I started doing musical theatre. And I loved it so much from the age of 13, you know. Actually in 2000, I did my first movie and ever since then I’ve been enjoying doing movies. I don’t think I’m much of an actor. But I just love being surrounded by creative people and a lot of times doing music is a lonely struggle, especially composing, and arranging, producing my own albums. Acting, every day you get called and you’re surrounded by other actors and creative people.
4._______
WL: The first time I won, like you just said, when I was 22, it meant a lot to me. It was like…I didn’t know I could make this happen. I didn’t know I could get this kind of recognition. So back then, it was huge increase of confidence. And I don’t want to say vanity (虚荣心), but confidence. I think every artist needs confidence.
5._______
WL: Well, it can be a real pain in the neck. You know, I feel lucky that I can go back to New York and not be recognized and not be followed. At times it can be really, really annoying. Today many people own a cell phone that has a camera on it… and a blog. In the entertainment news, there’s a recent trend of journalists or media just going on to the Internet and saying “Oh, so and so saw so and so.” when they see a blog. You know, it’s completely irresponsible but in the blog what he says can become the title of the newspaper article.
Less than one year after France imposed(强加于)a nationwide ban on smoking in most public places, it will, from Jan. 1, 2008, extend the ban to bars, restaurants, hotels, nightclubs - and the most cherished of all: caf†s.
Ireland and Italy show that countries with longstanding smoking traditions may introduce bans fairly smoothly, as they did in 2004 and 2005. In Germany, where regulations vary locally, Berlin will join France on Jan 1. But fierce critics of the new law in France say it all but destroys the caf†'s basic function: to serve as the socioeconomic glue of society.
C†cile Perez, owner of La Fronde, a typical Parisian neighborhood caf† said: "In the morning, street cleaners in bright green uniforms sip coffee next to well-dressed businessmen; at lunch hour, working-class types rub shoulders with those of the latest fashion at the bar, while couples of all ages rub noses over salads; during the after-work rush, there is a steady soundtrack of clinking glasses combined with conversation; the constant, no matter what time of day, is the smoke that drifts through the air in curls and clouds, seemingly unnoticed."
"Our motto in France is: liberty, equality, fraternity," Olivier Seconda, a regular at the caf†, said.
"The caf† is the place that represents that. You're free to smoke, everyone pays the same price for a beer and different kinds of people talk with one another. This new law goes against that."
Seconda expects the ban to be felt even more strongly in small villages far from Paris, where the caf† is often the only means of social activity. "People already miss the space that allows people of all walks of life to share something-even if it is sometimes no more than a few words and the smoke floating between them."
69. In Germany, ______.
A. caf† smoking will be forbidden from Jan,1, 2008
B. the tradition of caf† smoking is and will be well-kept
C. local customs are well respected in terms of smoking
D. there are different regulation on smoking
70. C†cile Perez mentions the curls and clouds of smoke drifting through the air to ______
A. describe a friendly atmosphere B. show the beauty of his own caf†
C. support the ban on smoking D. remind us of something unnoticed
71. Olivier Seconda implies that ______.
A. the caf† provides people with enough liberty, equality, and fraternity
B. people, regardless of their social class, enjoy equal rights in a caf†
C. the new ban on caf† smoking should be put in effect only in villages
D. people would not find fun in a caf† without smoking a cigarette
72. The passage is written to _______.
A. show the writer's personal opinion against a new law
B. provide information for law-makers to pass a new law
C. tell why some people are unhappy about smoking ban in caf†s
D. compare attitudes to a law, held by people from different countries
I met him first in 1936. I rushed into his ugly little shop to have the heels of my shoes repaired. I waited when he did it. He greeted me with a cheerful smile. “You’re new in this neighborbood, aren’t you?”
I said I was. I had moved into a house at the end of the street only a week before.
“This is a fine neighborhood,” he said. “You’ll be happy here.” He looked at the leather covering the heel sadly. It was worn through because I had failed to have the repair done a month before. I grew impatient, for I was rushing to meet a friend. “Please hurry,” I begged.
He looked at me over his spectacles. “Now, lady, we won’t be long. I want to do a good job. You see, I have a tradition to live up to.”
A tradition? In this ugly little shop that was no different from so many other shoe repair shops on the side streets of New York?
He must have felt my surprise, for he smiled as he went on. “Yes, lady, I inherited a tradition. My father and my grandfather were shoemakers in Italy, and they were the best. My father always told me, ‘Son, do the best job on every shoe that comes into the shop, and be proud of your fine work. Do that always, and you’ll have both happiness and money enough to live on.’”
As he handed me the finished shoes, he said: “These will last a long time. I’ve used good leather.”
I left in a hurry. But I had a warm and grateful feeling. On my way home I passed the little shop again. There he was, still working. He saw me, and to my surprise he waved and smiled. This was the beginning of our friendship. It was a friendship that came to mean more and more to me as time passed.
Every day I passed his shop, we waved to each other in friendly greeting. At first I went in only when I had repair work to be done. Then I found myself going in every few days just to talk with him.
He was the happiest man I’ve ever known. Often, as he stood in his shopwindow, working at a pair of shoes, he sang in a high, clear Italian voice. The Italians in our neighborhood called him la luce alla finestra—“the light in the window”.
One day I was disappointed and angry because of poor jobs some painters had done for me. I went into his shop for comfort. He let me go on talking angrily about the poor work and carelessness of present-day workmen. “They had no pride in their work,” I said. “They just wanted to collect their money for doing nothing.”
He agreed. “There’s a lot of that kind around, but maybe we should not blame them. Maybe their fathers had no pride in their work. That’s hard on a boy. It keeps him from learning something important.” He waited a minute and said “Every man or woman who hasn’t inherited a prideful tradition must start building one.”
“In this country, our freedom lets each of us make his own contribution. We must make it a good contribution. No matter what sort of work a man does, if he gives it his best each day, he’s starting a tradition for his children to live up to. And he is making lots of happiness for himself.”
I went to Europe for a few months. When I returned, there was no “light in the window”. The door was closed. There was a little sign: “Call for shoes at shop next door.” I learned the old man had suddenly got sick and died two weeks before
I went away with a heavy heart. I would miss him. But he had left me something—an important piece of wisdom I shall always remember: “If you inherited a prideful tradition, you must carry it on; if you haven’t, start building one now.”
1.The shoemaker looked sadly at the shoes because __________
A. they were of poor quality.
B. he didn’t have the right kind of leather
C. he thought they were too worn to be repaired
D. the author hadn’t taken good care of them.
2.The author was surprised when she heard that the shop had a tradition because the shop ________.
A. looked no different from other shoe repair shops
B. had a light in the window
C. was at the end of a street
D. was quite an ugly and dirty one
3.What does the underlined word “inherit” mean in paragraph 6 mean?
A. develop B. receive C. learn D. appreciate
4.The author later frequently went into the little shop __________.
A. to repair her worn shoes
B. only to chat with the shoemaker
C. to look at the new shoes there
D. only to get comfort from the shoemaker
5.Why was the shoemaker called “the light in the window” by his neighbors?
A. Because he always worked late at night.
B. Because he always put a light in the window.
C. Because he was always guiding the others.
D. Because he was always happy and cheerful.
6.What’s the best title of this passage?
A. A Proud Shoemaker B. A Prideful Tradition
C. The Light in the Window D. Treasure Your Shoes
The Oxford Mal, England
Most prisons are the kind of place you’d be desperate to escape from, not somewhere you’d possibly conceive of escaping to.
But this former Oxford prison has been converted into a boutique hotel by the fashionable Malmaison chain and offers the kind of luxurious living that former convicts could only have dreamed of.
Rates: Double room £140 (US$233). Breakfast £12.95 per person
Jules’ Undersea Lodge, United States
Originally a research laboratory, the world’s only underwater hotel sits at the bottom of the Emerald Lagoon in Florida, and can only be reached by scuba diving down six meters.
The lodge can accommodate two couples and is kitted out with showers, a microwave and a fridge.
The real attractions are the fish; the lodge is like a goldfish bowl in reverse, where you sit and watch angelfish, parrotfish, barracuda and snappers peering in at you through the window.
Rates: From US$400
Das Park Hotel, Austria
Stay overnight in a concrete sewer pipe on the banks of the River Danube.
The drainpipes are two meters in diameter and two and a half meters long, with a porthole to look out of, a front door to close and a cozy nest to snuggle into, which includes a low-slung futon, bedside lamp, woolly blanket and light sleeping bag.
Rates: You pay as much, or as little, as you want.
Sant` Angelo Luxury Resort, Italy
“Four-star boutique cave-hotel” is the proud boast of the Sant’Angelo in the city of Matera, which is famous for its sassi-houses dug into the rock. Matera is the only place in the world where people can boast to be still living in the same houses as their ancestors did 9,000 years ago. The rooms have been fashioned from old sassi stables and workshops. There are two restaurants, a bar and an art gallery.
Rates: A three-night package costs from US$560 per person including some meals, a walking tour and car hire, but not flights.
La Balade Des Gnomes, Belgium
A truly out-of-this-world experience, this hotel makes you feel like you’re on the moon.
You can sleep in a moon buggy, bathe in a lunar capsule, and the walls and ceilings are covered in twinkling stars and planets.
Other themed rooms include a newly opened Trojan Horse, a Troll Forest, a South Seas sailing ship and a Wine Room.
Rates: From ?115 (US$170) per double
【小题1】Das Park Hotel is different from the other hotels in that __________.
| A.it is underwater | B.you decide the pay |
| C.it used to be a prison | D.it is not in Europe |
| A.Jules’ Undersea Lodge, United States | B.La Balade Des Gnomes, Belgium |
| C.Das Park Hotel, Austria | D.The Oxford Mal, England |
| A.£165.9 | B.£152.95 | C.£258.9 | D.£305.9 |
Less than one year after France imposed(强加于)a nationwide ban on smoking in most public places, it will, from Jan. 1, 2008, extend the ban to bars, restaurants, hotels, nightclubs - and the most cherished of all: caf?s.
Ireland and Italy show that countries with longstanding smoking traditions may introduce bans fairly smoothly, as they did in 2004 and 2005. In Germany, where regulations vary locally, Berlin will join France on Jan 1. But fierce critics of the new law in France say it all but destroys the caf?'s basic function: to serve as the socioeconomic glue of society.
C?cile Perez, owner of La Fronde, a typical Parisian neighborhood caf? said: "In the morning, street cleaners in bright green uniforms sip coffee next to well-dressed businessmen; at lunch hour, working-class types rub shoulders with those of the latest fashion at the bar, while couples of all ages rub noses over salads; during the after-work rush, there is a steady soundtrack of clinking glasses combined with conversation; the constant, no matter what time of day, is the smoke that drifts through the air in curls and clouds, seemingly unnoticed."
"Our motto in France is: liberty, equality, fraternity," Olivier Seconda, a regular at the caf?, said.
"The caf? is the place that represents that. You're free to smoke, everyone pays the same price for a beer and different kinds of people talk with one another. This new law goes against that."
Seconda expects the ban to be felt even more strongly in small villages far from Paris, where the caf? is often the only means of social activity. "People already miss the space that allows people of all walks of life to share something-even if it is sometimes no more than a few words and the smoke floating between them."
69. In Germany, ______.
A. caf? smoking will be forbidden from Jan,1, 2008
B. the tradition of caf? smoking is and will be well-kept
C. local customs are well respected in terms of smoking
D. there are different regulation on smoking
70. C?cile Perez mentions the curls and clouds of smoke drifting through the air to ______
A. describe a friendly atmosphere B. show the beauty of his own caf?
C. support the ban on smoking D. remind us of something unnoticed
71. Olivier Seconda implies that ______.
A. the caf? provides people with enough liberty, equality, and fraternity
B. people, regardless of their social class, enjoy equal rights in a caf?
C. the new ban on caf? smoking should be put in effect only in villages
D. people would not find fun in a caf? without smoking a cigarette
72. The passage is written to _______.
A. show the writer's personal opinion against a new law
B. provide information for law-makers to pass a new law
C. tell why some people are unhappy about smoking ban in caf?s
D. compare attitudes to a law, held by people from different countries
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