There is no doubt that the Internet has changed the way that millions of people communicate with the outside world. And there is a lot of buzz and activity around social networking. One of the most interesting opportunities which arise from this is lifestreaming.

When people hang out with friends online, they talk about music, review movies, share travel stories, exchange photos and discuss video games. And they chat about life and recommend books as well.

Lifestreaming is an online record of a person's daily activities. It will allow you to climb inside the head of someone. And you can also experience their day through a digital collection of public text messages, blog posts and photos. What's more, thanks to mobile broadband(宽带) and tiny video cameras, you can also watch a live video stream of them as they move around their world.

Lifestreaming offers the ability to store and broadcast this information exchange. People now can create，collect and publish their interests and activities. They are creating content that reflects their life.

Generally speaking, the lifestreamers have been broadcasting their lives 24 hours a day. Facebook havs now made it possible to load all these other Websites directly into your Facebook profiles. Now users can display their blog posts from their blog. They can display the drunken pictures that they uploaded. The embarrassing videos they have from their YouTube profile can also be shown, and so much more.

Lifestreaming is the newest way to let your friends know what you're up to, and you needn't force them to follow you across many places. Not everyone is into lifestreaming, but it is one of the hottest areas for development out there. And there are a large amount of services offering a way to collect all the little bits of your online life，

Life streaming might be described as a variation of microblogging, because they all focus on the brevity(简洁) of content. But you cannot ignore the difference between them. With microblogging, you write messages directly within the application itself－as you might send a text message. But with lifestreaming application, you collect your other content from around the Web and arrange it into a single stream of short bits of information.

With lifestreaming, people now can learn more about people they trust. By selectively following lifestreams, people are changing how they get information.

There are many theories about the beginning of drama in ancient Greece. The one most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world, even the seasonal changes, as unpredictable, and they sought through various means, to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama.
Those who believed that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances, and when the entire community did not participate, a clear division was usually made between the “acting area” and the “auditorium”. In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or super natural beings, and mimed the desired effect －success in hunt or battle, the coming rain, the revival of the Sun －as an actor might. Eventually such dramatic representations were separated from religious activities.
Another story traces the theater’s origin from the human interest in storytelling. According to this view, tales (about the hunt, war, or other feats) are gradually elaborated, at first through the use of impersonation, action and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.
67. What does the passage mainly discuss?
A. The origins of theater.                                    B. The role of ritual in modern dance.
C. The importance of storytelling.                             D. The variety of early religious activities.
68. What aspect of drama does the author discuss in the first paragraph?
A. The reason drama is often unpredictable.
B. The seasons in which dramas were performed.
C. The connection between myths and dramatic plots.
D. The importance of costumes in early drama. ks5u
69. According to the passage, what is the main difference between ritual and drama?
A. Ritual uses music whereas drama does not.
B. Ritual is shorter than drama.
C. Ritual requires fewer performers than drama.
D. Ritual has a religious purpose and drama does not.
70. The passage supports which of the following statements?
A. No one really knows how the theater began.
B. Myths are no longer represented dramatically.
C. Storytelling is an important part of dialogue.
D. Dramatic activities require the use of costumes.

There are many theories about how drama (戏剧) came into being in ancient Greece. The one most widely accepted today is based on the assumption that drama developed gradually from ceremonies. The argument for this view goes as follows.
In the beginning, human beings viewed the natural forces of the world as unpredictable, and they sought through various means to control these unknown powers. Those measures which appeared to bring the desired results were then kept and repeated until they hardened into fixed ceremonies. Eventually stories arose which explained the mysteries of the ceremonies. As time passed, some of them were abandoned, but the stories, later called myths (神话), provided materials for art and drama
Those who believe that drama came out of ceremonies also argue that those ceremonies contained the seed of theater because music, dance, and masks were almost always used. In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the rules of ceremonies, religious leaders usually assumed that task. Wearing masks, they often impersonated (扮演) other people, animals, or supernatural beings, and performed the desired effect by gestures -- success in hunt or battle, the coming rain, the revival (复活) of the Sun -- as an actor might. Eventually such dramatic representations were separated from religious activities.
Another theory finds out the theater came from the human Interest in storytelling. According to this view, tales (about the hunt, war, or other events) are gradually formed, at first through the use of impersonation, action, and dialogue by a speaker and then through the assumption of each of the roles by a different person A closely related theory about drama traces to those dances that are primarily rhythmical and gymnastic or that are imitations (模仿) of animal movements and sounds.
【小题1】Which of the following is Not true according to the passage?

There are many theories about how drama (戏剧) came into being in ancient Greece. The one most widely accepted today is based on the assumption that drama developed gradually from ceremonies. The argument for this view goes as follows.

In the beginning, human beings viewed the natural forces of the world as unpredictable, and they sought through various means to control these unknown powers. Those measures which appeared to bring the desired results were then kept and repeated until they hardened into fixed ceremonies. Eventually stories arose which explained the mysteries of the ceremonies. As time passed, some of them were abandoned, but the stories, later called myths (神话), provided materials for art and drama

Those who believe that drama came out of ceremonies also argue that those ceremonies contained the seed of theater because music, dance, and masks were almost always used. In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the rules of ceremonies, religious leaders usually assumed that task. Wearing masks, they often impersonated (扮演) other people, animals, or supernatural beings, and performed the desired effect by gestures -- success in hunt or battle, the coming rain, the revival (复活) of the Sun -- as an actor might. Eventually such dramatic representations were separated from religious activities.

Another theory finds out the theater came from the human Interest in storytelling. According to this view, tales (about the hunt, war, or other events) are gradually formed, at first through the use of impersonation, action, and dialogue by a speaker and then through the assumption of each of the roles by a different person A closely related theory about drama traces to those dances that are primarily rhythmical and gymnastic or that are imitations (模仿) of animal movements and sounds.

1.Which of the following is Not true according to the passage?

A．Three theories about how drama came into being are mentioned.

B．The majority of people believe drama came from ceremonies.

C．Stories were made up to explain the mysteries of the ceremonies.

D．Religious activities developed gradually from ceremonies.

2.We can infer from the passage that ______.

A．all measures couldn't bring the desired results

B．religious leaders usually didn't perform in the ceremonies

C．mistakes are unavoidable in the religious ceremonies

D．performers usually used languages to reach the desired results

3.The underlined part "traces to" in the last paragraph is closest in meaning to ______.

A．dates back to       B．is devoted to       C．gives way to        D．is familiar to

4. The best title for the text would be ______.

A．The Development of Drama               B．The History of Drama

C．The Origin of Drama                     D．The Popularity of Drama

There are many theories about the beginning of drama in ancient Greece. The one most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world, even the seasonal changes, as unpredictable, and they sought through various means, to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama.

Those who believed that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances, and when the entire community did not participate, a clear division was usually made between the “acting area” and the “auditorium”. In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or super natural beings, and mimed the desired effect－success in hunt or battle, the coming rain, the revival of the Sun-as an actor might. Eventually such dramatic representations were separated from religious activities.

Another theory traces the theater’s origin from the human interest in storytelling. According to this view, tales (about the hunt, war, or other feats) are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.

77. What does the passage mainly discuss?

A. The origins of theater.             B. The role of ritual in modern dance.

C. The importance of storytelling.    D. The variety of early religious activities.

78. What aspect of drama does the author discuss in the first paragraph?

A. The reason drama is often unpredictable.  

B. The seasons in which dramas were performed.

C. The connection between myths and dramatic plots.

D. The importance of costumes in early drama.

79. According to the passage, what is the main difference between ritual and drama?

A. Ritual uses music whereas drama does not.

B. Ritual is shorter than drama.

C. Ritual requires fewer performers than drama.

D. Ritual has a religious purpose and drama does not.

80. The passage supports which of the following statements?

A. No one really knows how the theater began. 

B. Myths are no longer represented dramatically.

C. Storytelling is an important part of dance.   

D. Dramatic activities require the use of costumes.