We often talk about ourselves as if we have permanent genetic defects(缺陷) that can never be changed. “I’m impatient.” “I’m always behind.” “I always put things 　　1 !” You’ve surely heard them. Maybe you’ve used them to describe　　　 ___2　 .

These comments may come from stories about us that have been 　3　 for many years—often from 　4　 childhood. These stories may have no 　5　 in fact. But they can set low expectations for us. As a child, my mother said to me, “Marshall, you have no mechanical (操作机械的) skills, and you will never have any mechanical skills for the rest of your life.” How did these expectations　 6　 my development? I was never 　7　 to work on cars or be around　 8　 . When I was 18, I took the US Army’s Mechanical Aptitude Test. My scores were in the bottom for the entire nation!

Six years later,　 9　 , I was at California University, working on my doctors degree. One of my professors, Dr. Bob Tannbaum, asked me to write down things I did well and things I couldn’t do. On the positive side, I　 10　 down, “research, writing, analysis, and speaking.” On the　 11　 side, I wrote, “I have no mechanical skills.”

Bob asked me how I knew I had no mechanical skills. I explained my life 　12 and told him about my 　13　 performance on the Army test. Bob then asked, “　 14　 is it that you can solve 　 15　 mathematical problems, but you can’t solve simple mechanical problems?”

Suddenly I realized that I didn’t 　16　 from some sort of genetic defect. I was just living out expectations that I had chosen to 　17　 . At that point, it wasn’t just my family and friends who had been　 18　 my belief that I was mechanically hopeless. And it wasn’t just the Army test, either. I was the one who kept telling myself, “You can’t do this!” I realized that as long as I kept saying that, it was going to remain true. 　19　 , if we don’t treat ourselves as if we have incurable genetic defects, we can do well in almost 　20　 we choose.

1. A. away 　　　　　 B. off 　　　　　　　 C. up 　　　　　　　　　 D. down

2. A. them 　　　　 B. myself 　　　　　 C. yourself 　　　　 D. others

3. A. said 　　　　　 B. spoken 　　　　　 C. spread 　　　　　 D. repeated

4. A. as long as 　 B. as far back as 　 C. as well as 　　　 D. as much as

5. A. basis 　　　　 B. plot 　　　　　　　 C. cause 　　　　　　　　　　 D. meaning

6. A. lead 　　　　　 B. improve　　　　　　 C. affect 　　　　　 D. change

7. A. encouraged B. demanded 　　 C. hoped 　　　　　 D. agreed

8. A. means 　　　 B. tools 　　　　　　 C. facilities 　　　　 D. hammers

9. A. therefore 　 B. somehow 　　　 C. instead 　　　　　 D. however

10. A. settled 　　 B. turned 　　　　　 C. took 　　　　　　　　　　 D. got

11. A. passive 　　　 B. active 　　　　　 C. negative 　　　　　 D. subjective

12. A. experiences 　　　 B. trips 　　　　　　　　　　 C. roads 　　　　　　 D. paths

13. A. unexpected B. poor 　　　　　　 C. excellent 　　　 D. average

14. A. When 　　　 B. What 　　　　　　 C. How 　　　　　　　 D. Why

15. A. complex 　 B. advanced　　　　　 C. common 　　　　 D. primary

16. A. arise 　　　　 B. separate　　　　　　 C. suffer 　　　　　 D. come

17. A. believe 　　 B. suspect 　　　　 C. adopt 　　　　　　 D. receive

18. A. weakening B. strengthening 　 C. abandoning 　 D. accepting

19. A. As a result 　　　 B. At the same time C. In addition 　　 D. On the contrary

20. A. anything 　　 B. something 　　 C. nothing 　　　　 D. all

       Dallas Children’s Theater Academy

ShowBiz Summer 2008

Rosewood Center for Family Arts

　　　　5938 Skillman * Dallas, TX 75231 * (214) 978-0110

Important Information

* All classes are taught by DCT Theater Professionals!

* All Grade Levels indicated are for Fall 2008.

* Tuition Deposit required for registration.

* Tuition balance due on the first day of class. No tuition refunds (退款).

* DCT reserves the right to cancel any class; refunds made for cancellation.

* Please accompany student to first day of class.

* Registration begins one-half hour before class time.

* Questions? Call Nancy Schaeffer at (214) 978-0110 or e-mail nancy@dct.org

How To Register

MAIL: * Fill out the form in this brochure.

* Be sure to list the class and group that you want & the dates.

* The registration form may be copied.

FAX:  Complete the registration form and fax it to DCT at (214) 978-0118.

PHONE: Call (214) 978-0110.

WEB: Visit www.dct.org, click on Academy Classes

Drama Days! — $175

Entering Grades: Group A: K   Group B: 1st & 2nd   Group C: 3rd –– 5th

Mon. –– Fri.  9:　30 a　.m. –– 1 p.m.   June 2 –– June 6

* Day One –– come up with a character, work with your class to plan the play.

* Day Two –– create the situations and scenes for your one-of-a-kind show!

* Day Three –– rehearse (排演) your part.

* Day Four –– pick a costume, get ready!

* Day Five –– SHOWTIME –– invite family and friends to your Friday Showcase!

* Bring a sack lunch and drink each day!

Laugh Out Loud –– $175

Entering Grades: 5+  Mon. –– Fri.  1:30 p.m. –– 5:00 p.m.  June 23 –– June 27  Show Friday, June 27

* Do you like comedy? Try your hand at the world of comedy in the class just for you!

* Learn a comedy sketch from the old masters!

* Tell a joke! Learn why old jokes can be the best!

* Work with your class to put on a one-of-a-kind Comedy Show for family and friends!

Acting –– Just Acting –– $225

Group A: Entering Grades K; Group B: Entering Grades 1st –– 2nd; Group C: Entering Grades 3rd –– 4th; Mon. –– Fri.  9:　30 a　.m. –– 2:30 p.m.; Session I: July 28 –– Aug. 1; Session II: Aug. 4 –– Aug. 8; Session III: Aug. 11 –– Aug. 15

* Are you ready to challenge your acting skills and try something new?!

* Start with the characters: Who are you? Be the Star of your Dreams.

* Become the character you’ve always wanted to be.

* Work with your class to create the plot.

* Get ready to present your show for family and friends on the final Friday!

Summer Scenes –– $225

Entering Grades 5th and 6th; Mon. –– Fri. 9:　30 a　.m. –– 2:30 p.m.; Session I: July 28 –– Aug.1; Session II: Aug. 4 –– Aug. 8; Session III: Aug. 11 –– Aug. 15

* Do you want to be an actor?

* Improve your skills with instruction from professional actors & directors.

* Rehearse and perform scenes from your favorite plays.

* Develop characters and polish performances!

14. What is the purpose of the text?

   A. To attract readers to attend Summer Scenes.

   B. To persuade readers to attend ShowBiz Summer 2008.

   C. To earn money from the introduction.

   D. To teach readers how to register for ShowBiz Summer 2008.

15. If you want to attend Showbiz Summer 2008, you should be aware that ______.

   A. tuition must be paid at least before June 2

   B. there’ll be no refunds in any case.

   C. registration begins half an hour after class time

   D. students had better be accompanied on the first day

16. It can be inferred from the text that all the four one-week specials ______.

   A. are intended for children aged below 5

   B. are all held at 　　Rosewood　 　Center　　 for Family Arts

   C. will take place in June or July and last five days

   D. need students to bring a sack lunch and drink each day

17. Which of the following classes suits those who want to be actors?

   A. Drama Days!                                   B. Laugh Out Loud.

C. Acting – Just Acting.                      D. Summer Scenes.

18. Where is the text most probably from?

   A. Part of a brochure.                           B. An entertainment magazine.

   C. A newspaper.                                   D. A guide book.

　　The purpose of a letter of application is to help you to “sell” yourself. It should state　 36　 the job you want, and should tell what your abilities are and what you have　 37　 . It should be simple, human, personal and brief without　 38　 out any necessary fact.

　　In writing a letter of application, keep in　 39　 that the things a possible employer is most　

 40　 to want to know about are your qualifications（条件）, your achievements and your aims.The opening paragraph is perhaps the most important part.　41　 the first few sentences fail to　 42　 the reader’s attention, the rest of the letter may not be　 43　 at all. Try to key your opening remarks to the needs or interests of the employer not　 44　 your own need or desires. For example, instead of beginning with “I saw your　 45　 in today's paper. ”you might say“I have made a careful　 46　 of your advertising during the past six months” or “I have made a survey in my neighbourhood to find out how many housewives　 47　 your product and why they like it.”

　　Try to　 48　 generalities. Be clear about the kind of job for which you are now　 49　. College graduates looking for their first positions often ask“ What can I　 50　 in a letter? Employers want experience, which, naturally, no　 51　 has. ”The answer is that everything you have ever done is　 52　.

　　It is important to write a good strong closing for your letter.　53　 a specific request for an interview or give the possible employer something definite to do or expect. An excellent　54　 is to enclose（内附）a stamped, self - addressed envelope with your letter. That makes it　 55　 for a possible employer to get in touch with you.

　　36．A. clearly B. carefully C. obviously D. easily

　　37．A. found B. done C. known D. heard

　　38．A. sending B. taking C. leaving D. picking

　　39．A. brain B. sight C. order D. mind

　　40．A. probable B. possible C. likely D. able

　　41．A. While B. Although C. As D. If

　　42．A. pay B. win C. show D. fix

　　43．A. kept B. continued C. written D. read

　　44．A. to B. for C. into D. from

　　45．A. advertisement B. report

　　　　C. article  D. introduciton 

　　46．A. watch B. search C. study D. discussion

　　47．A. change B. make C. sell D. use．

　　48．A. avoid B. remember C. protect D. gain

　　49．A. losing B. applying C. preparing D. fitting

　　50．A. offer B. supply C. mean D. provide

　　51．A. worker B. beginner C. owner D. manager

　　52．A. success B. development C. practice D. experience

　　53．A. Make B. Ask C. State D. Get

　　54．A. result B. decision C. promise D. idea

　　55．A. happier B. easier C. cheaper D. safer

A few days ago I asked my sons’ governess（女家庭教师）Julia to come into my study. “Be seated, Julia, ”I said, “Let’s settle our accounts. I guess you most likely need some money, but maybe you’re too polite to mention it. Now then, we agreed on thirty dollars a month...”

　　“Forty.”

　　“No, thirty. I made a note of it. I always pay our governess thirty. Well, um, you’ve been here two months, so...”

　　“Two months and five days.”

　　“Exactly two months. I made a special note of it. That means you have sixty dollars coming to you. Take off nine Sundays... you know you didn’t work with Tom on Sundays, you only took walks. And three holidays... ”Julia was biting her finger nail nervously, her face red, but - not a word.

　　“Three holidays, therefore take off twelve dollars. Four days Tom was sick and there were no lessons, as you were occupied only with Dick. Three days you had a toothache and my wife gave you permission not to work after lunch. Twelve and seven - nineteen. Take nineteen off ... that leaves. hmm.... forty one dollars. Correct？”

　　Julia’s left eye reddened with tears welling up. Her chin trembled; she coughed nervously and blew her nose, but - still not a word.

　　“Around New Year’s Day you broke a teacup and a saucer; take off two dollars. The cup cost more, it was a treasure of the family, but- forget it. When didn’t I take a loss! Then, due to your neglect （疏忽）, Tom climbed a tree and tore his jacket; take away ten. Also due to your carelessness the maid stole Dick’s shoes. You ought to watch everything! You get paid for it. So, that means five more dollars off. The tenth of January I gave ten dollars.”

　　“You didn’t. ”sobbed Julia.

　　“But I made a note of it.”

　　“Well... if you say so.”

　　“Take twenty seven from forty one -that leaves fourteen.”

　　Both her eyes were filled with tears. Beads of sweat stood on the thin pretty little nose. Poor girl!

　　“Only once was I given any money,” she whispered, her voice trembling, “and that was by your wife. Three dollars, nothing more.”

　　“Really? You see now, and I didn’t know that! Take three from fourteen.. leaves eleven. Here’s your money, my dear. Three, three, three, one and one. Here it is !”

　　I handed her eleven dollars. She took them and pocketed them.

　　“Merci （法语: 谢谢）,”she whispered.

　　I jumped to my feet and started pacing the room. I was overcome with anger. “For what, this - ‘merci’?” I asked.

　　“For the money. ”

　　“But you know I’ve cheated you - robbed you ! I have actually stolen from you ! Why this‘merci’？”

　　“In my other places they didn’t give me anything at all.”

　　“They didn’t give you anything? No wonder! I played a little joke on you, a cruel lesson, just to teach you... I m going to give you all the eighty dollars! Here they are in the envelope all ready for you... Is it really possible to be so spineless （懦弱）?Why didn’t you protest? Why were you silent? Is it possible in this world to be without teeth and claws（爪）—to be such a fool?”

　　Embarrassed, she smiled. And I could read her expression,“It is possible.”

　　I asked her pardon for the cruel lesson and, to her great surprise, gave her the eighty dollars. She murmured her little“merci”several times and went out. I looked after her and thought,“How easy it is to crush the weak in this world !”

While talking to Julia, the wrier expected from her ________.

　　A. a protest　　　　　　　　　　　B. gratitude

　　C. obedience　　　　　　　　　　 D. an explanation

What shocked the writer was Julia’s ________.

　　A. nervousness in front of her boss

　　B. acceptance of injustice

　　C. shyness when talking about money

　　D. reluctance to express herself

The writer said, “Is it possible in this world to be without teeth and claws?” He was actually telling the governess ________.

　　A. to be more aggressive

　　B. to be more careful in her work

　　C. to protect her right

　　D. to live independently

At the end of the story, the writer said,“ How easy it is to crush the weak in this world!”to show ________.

　　A. his understanding of Julia’s anxiety

　　B. his worry about Julia’s future

　　C. his concern on the living condition of working - class people

　　D. his sympathy for the mental state of those exploited

From the story, we can tell that Julia’s employer was ________.

　　A. greedy but honest

　　B. ill - tempered but warm - hearted

　　C. strict but forgiving

　　D. none of the above