题目列表(包括答案和解析)
A little girl lived in a small, very simple, poor house on a hill and as she grew she would play in the small garden. There, she was able to see over the garden fence and across the valley to a wonderful house high on the hill. This house had golden windows, so golden and shining that the little girl would dream of how magic it would be to grow up and live in a house with golden windows instead of an ordinary house like hers. Although she loved her parents and her family, she yearned to live in such a golden house and dreamed all day about how wonderful and exciting it must feel to live there.
When she got to an age when she gained enough skill and sensibility to go outside her garden fence, she asked her mother if she could go for a bike ride outside the gate and down the lane. After pleading with her, her mother finally allowed her to go, insisting that she should keep close to the house and not wander too far. The day was beautiful and the little girl knew exactly where she was heading! Down the lane and across the valley, she rode her bike until she got to the gate of the golden house across on the other hill.
As she dismounted her bike and leaned it against the gate post, she focused on the path that led to the house and then on the house itself. She was so disappointed as she realized all the windows were plain and rather dirty, reflecting nothing other than the sad neglect of the house that was derelict.
So sad she didn't go any further and turned, and heart broken as she remounted her bike. As she glanced up she saw a sight to amaze her. There across the way on her side of the valley was a little house and its windows glistened golden as the sun shone on her little home.
She realized that she had been living in her golden house and all the love and care she found there was what made her home the 'golden house'. Everything she dreamed was right there in front ofher nose!
【小题1】Why did the girl long for the house on the hill?
| A. Because there was a small garden. | B.Because it’s magic. |
| C. Because it’s ordinary. | D.Because its windows looked golden. |
| A. The girl’s mother finally allowed her to go to the golden house alone. |
| B. The golden house was on the hill where the girl lived. |
| C.What disappointed the little girl was that the house was locked. |
| D.Actually , the windows of the golden house were common and covered with dirt. |
| A. Her home was another golden house |
| B. There was no golden house indeed |
| C. She could see the golden house only when she looked up |
| D. The golden house disappeared when the sun shone on it |
| A. The mother thought that she needn’t keep an eye on her daughter. |
| B. The girl was determined to go to the golden house at the beginning. |
| C. The girl had no idea where she was heading after leaving home. |
| D. The girl didn’t love or care for her parents . |
| A. girls often have amazing imagination |
| B.not all dreams will come true |
| C. what we dream of may be just around us |
| D.nothing is impossible to a willing heart |
A little girl lived in a small, very simple, poor house on a hill and as she grew she would play in the small garden. There, she was able to see over the garden fence and across the valley to a wonderful house high on the hill. This house had golden windows, so golden and shining that the little girl would dream of how magic it would be to grow up and live in a house with golden windows instead of an ordinary house like hers. Although she loved her parents and her family, she yearned to live in such a golden house and dreamed all day about how wonderful and exciting it must feel to live there.
When she got to an age when she gained enough skill and sensibility to go outside her garden fence, she asked her mother if she could go for a bike ride outside the gate and down the lane. After pleading with her, her mother finally allowed her to go, insisting that she should keep close to the house and not wander too far. The day was beautiful and the little girl knew exactly where she was heading! Down the lane and across the valley, she rode her bike until she got to the gate of the golden house across on the other hill.
As she dismounted her bike and leaned it against the gate post, she focused on the path that led to the house and then on the house itself. She was so disappointed as she realized all the windows were plain and rather dirty, reflecting nothing other than the sad neglect of the house that was derelict.
So sad she didn't go any further and turned, and heart broken as she remounted her bike. As she glanced up she saw a sight to amaze her. There across the way on her side of the valley was a little house and its windows glistened golden as the sun shone on her little home.
She realized that she had been living in her golden house and all the love and care she found there was what made her home the 'golden house'. Everything she dreamed was right there in front ofher nose!
1.Why did the girl long for the house on the hill?
A. Because there was a small garden. B.Because it’s magic.
C. Because it’s ordinary. D.Because its windows looked golden.
2.Which statement is True according to Paragraph 2 and 3?
A. The girl’s mother finally allowed her to go to the golden house alone.
B. The golden house was on the hill where the girl lived.
C.What disappointed the little girl was that the house was locked.
D.Actually , the windows of the golden house were common and covered with dirt.
3.What amazed the girl was that_____
A. Her home was another golden house
B. There was no golden house indeed
C. She could see the golden house only when she looked up
D. The golden house disappeared when the sun shone on it
4.What can be inferred from the passage?
A. The mother thought that she needn’t keep an eye on her daughter.
B. The girl was determined to go to the golden house at the beginning.
C. The girl had no idea where she was heading after leaving home.
D. The girl didn’t love or care for her parents .
5.The passage is intended to tell us that_____.
A. girls often have amazing imagination
B.not all dreams will come true
C. what we dream of may be just around us
D.nothing is impossible to a willing heart
Though war is something people hate, Director Feng Xiaoning often exposes his audien
ce to it.
“If we don’t impress the audience, who are without the painful experience of war, with the cruel injury to life and human nature war causes, how can we bring them a love of peace and objection to war?” asked the director with a glance in his eyes.
After Red River Valley and Lover’s Grief over the Yellow River, both of which star Chinese model and actress Ning Jing, Feng drew a satisfactory full stop to his war trilogy (三部曲) last month with Purple Sunset.
The film tells a story which took place in 1945, at the very moment when World War II was drawing to an end. A Chinese peasant and a Soviet woman soldier flee into a forest, where they seize a Japanese girl. They follow the girl in the hope that she will take them out of the forest, but instead they arri
ve in a Japanese base. Humanity (人道主义) prevents them from killing the young, innocent (无辜的) victim of Japanese militarism. This humanity, the longing for peace and eagerness to survive, make the three unite.
“If people are touched by justice, tolerance and unselfishness, I think I have achieved my goal,” Feng said. Feng admits that there are violent and bloody scenes in the film, such as tanks fighting and Japanese burning Chinese people alive, to show the cruelty of the war. But that’s never his personal preference, he says.
“Everyone who has watched my films can tell how much I hate war,” he said. “I wrote all the things for my war films by myself. Whenever I finished one, I felt as though I had suffered great pain.”
Feng regards every one of his productions as an opportunity to learn about human nature and humanity. In spite of violent scenes which frighten and sicken the audience, a balance is sought with beautiful scenery. Just like the sno
wy mountains in Red River Valley and the grand plateau (高原) in Lover’s Grief over the Yellow River, a beautiful vast grassland appears in this film. “I used to study art, and I appreciate beautiful things,” Feng said. “I believe that films should offer the audience a chance to enjoy beauty.”
【小题1】Director Feng Xiaoning shot war film because _____.
| A.he was deeply interested in such a topic |
| B.he wanted to give the audience the painful experience of war |
| C.he hoped to arouse people’s love of peace and objection to war |
| D.he dreamed of becoming a world-famous director |
| A.Red River Valley | B.Lover’s Grief over the Yellow River |
| C.Purple Sunset | D.In the Mood for Love |
| A.they could find the Japanese base easily |
| B.she could take them out of the forest |
| C.they could kill her for revenge |
| D.it would cause the Japanese militarism to give in |
| A.show that war is cruel |
| B.attract people’s interest |
| C.show Feng’s personal preference in dealing with details |
| D.make the film moving and interesting |
Though war is something people hate, Director Feng Xiaoning often exposes his audience to it.
“If we don’t impress the audience, who are without the painful experience of war, with the cruel injury to life and human nature war causes, how can we bring them a love of peace and objection to war?” asked the director with a glance in his eyes.
After Red River Valley and Lover’s Grief over the Yellow River, both of which star Chinese model and actress Ning Jing, Feng drew a satisfactory full stop to his war trilogy (三部曲) last month with Purple Sunset.
The film tells a story which took place in 1945, at the very moment when World War II was drawing to an end. A Chinese peasant and a Soviet woman soldier flee into a forest, where they seize a Japanese girl. They follow the girl in the hope that she will take them out of the forest, but instead they arrive in a Japanese base. Humanity (人道主义) prevents them from killing the young, innocent (无辜的) victim of Japanese militarism. This humanity, the longing for peace and eagerness to survive, make the three unite.
“If people are touched by justice, tolerance and unselfishness, I think I have achieved my goal,” Feng said. Feng admits that there are violent and bloody scenes in the film, such as tanks fighting and Japanese burning Chinese people alive, to show the cruelty of the war. But that’s never his personal preference, he says.
“Everyone who has watched my films can tell how much I hate war,” he said. “I wrote all the things for my war films by myself. Whenever I finished one, I felt as though I had suffered great pain.”
Feng regards every one of his productions as an opportunity to learn about human nature and humanity. In spite of violent scenes which frighten and sicken the audience, a balance is sought with beautiful scenery. Just like the snowy mountains in Red River Valley and the grand plateau (高原) in Lover’s Grief over the Yellow River, a beautiful vast grassland appears in this film. “I used to study art, and I appreciate beautiful things,” Feng said. “I believe that films should offer the audience a chance to enjoy beauty.”
1.Director Feng Xiaoning shot war film because _____.
A. he was deeply interested in such a topic
B. he wanted to give the audience the painful experience of war
C. he hoped to arouse people’s love of peace and objection to war
D. he dreamed of becoming a world-famous director
2.All of the following belong to Feng’s war trilogy except _____.
A. Red River Valley B. Lover’s Grief over the Yellow River
C. Purple Sunset D. In the Mood for Love
3.A Chinese peasant and a Soviet woman solider seized a Japanese girl so that _____.
A. they could find the Japanese base easily
B. she could take them out of the forest
C. they could kill her for revenge
D. it would cause the Japanese militarism to give in
4.Scenes of Japanese burning Chinese people alive in the film are to ______.
A. show that war is cruel
B. attract people’s interest
C. show Feng’s personal preference in dealing with details
D. make the film moving and interesting
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