题目列表(包括答案和解析)
B
There are many best –selling authors in Europe and one of them is a 15-year –old girl from Paris. She is Flavia Bujor. Flavia is selling more books than people three times her age.
She started writing her novel at the age of 12. At 14, she had her book published. Her best-seller is called The Prophecy of Stones (<<石头的预言>>). The Prophecy of Stones is a story about a girl in hospital. In the story, the girl imagine another world and in that world three heroines work together to save their land with magical stones. So far, the book has sold 20,000 copies in France and Italy and 30,000 in Germany! Flavia Bujor says that “writing is my passion(最爱)”, but she still enjoys being 15. She takes piano lessons and likes hanging out with friends. The French girl plans to spend her money on her college education,
50.The Prophecy of Stones tells about things happening in _______________.
A. our real world B. an imaginary world C. the outer space D. both A and B.
51.The underlined sentence in the last paragraph means ______________.
A. She likes to do things people of her age do
B. She feels happy to be a 15- year –old best –selling author.
C. She does not wish to grow up.
D. She thinks15 is the best age for her as an author
52.What may be the best title for the article?
A. The Prophecy of Stones attracts most attention.
B. A 15-year –old girl becomes best-selling author.
C. Good school girl and best – selling author
D. Young author has more readers.
53.This passage probably appears _____________.
A. in a story book B. in a textbook
C. in a newspaper D. in a fashion magazine
There are still many things that Peter Cooke would like to try his hand at — paper-making and feather-work are on his list. For the moment, though, he will stick to the skill that he has been delighted to make perfect over the past ten years: making delicate and unusual objects out of shells.
As he leads me round his apartment showing me his work, he points to a pair of shell-covered ornaments(装饰品) above a fireplace. “I shan’t be at all bothered if people don’t buy them because I have got so used to them, and to me they’re lovely. I never meant to sell my work commercially. Some friends came to see me about five years ago and said, ‘You must have an exhibition — people ought to see these. We’ll talk to a man who owns an art gallery’”. The result was an exhibition in London, at which 70 per cent of the objects were sold. His second exhibition opened at the gallery yesterday. Considering the enormous prices the pieces command —around £2,000 for the ornaments — an empty space above the fireplace would seem a small sacrifice for Cooke to make.
There are 86 pieces in the exhibition, with prices starting at£225 for a shell-flower in a crystal vase. Cooke insists that he has nothing to do with the prices and is cheerily open about their level: he claims there is nobody else in the world who produces work like his, and, as the gallery-owner told him, “Well, you’re going to stop one day and everybody will want your pieces because there won’t be any more.”
“I do wish, though,” says Cooke, “that I’d taken this up a lot earlier, because then I would have been able to produce really wonderful things — at least the potential would have been there. Although the ideas are still there and I’m doing the best I can now, I’m more limited physically than I was when I started.” Still, the work that he has managed to produce is a long way from the common shell constructions that can be found in seaside shops. “I have a miniature(微型的) mind,” he says, and this has resulted in boxes covered in thousands of tiny shells, little shaded pictures made from shells and baskets of astonishingly realistic flowers.?
Cooke’s quest(追求) for beautiful, and especially tiny, shells has taken him further than his Norfolk shore: to France, Thailand, Mexico, South Africa and the Philippines, to name but a few of the beaches where he has lain on his stomach and looked for beauties to bring home. He is insistent that he only collects dead shells and defends himself against people who write him letters accusing him of stripping the world’s beaches. “When I am collecting shells, I hear people’s great fat feet crunching(嘎吱嘎吱地踩) them up far faster than I can collect them; and the ones that are left, the sea breaks up. I would not dream of collecting shells with living creatures in them or diving for them, but once their occupants have left, why should I not collect them?” If one bases this argument on the amount of luggage that can be carried home by one man, the beauty of whose work is often greater than its natural parts, it becomes very convincing indeed.
What does the reader learn about Peter Cooke in the first paragraph?
A. He has produced hand-made objects in different materials.?
B. He hopes to work with other materials in the future.?
C. He has written about his love of making shell objects.?
D. He was praised for his shell objects many years ago.
When mentioning the cost of his shell objects, Cooke ____.
A. cleverly changes the subject.
B. defends the prices charged for his work.
C. says he has no idea why the level is so high.
D. notes that his work will not always be so popular.
The “small sacrifice” in Paragraph 2 refers to _________.?
A. the loss of Cooke’s ornaments? B. the display of Cooke’s ornaments?
C. the cost of keeping Cooke’s ornaments D. the space required to store Cooke’s ornaments
What does Cooke regret about his work?
A. He is not as famous as he should have been.?B. He makes less money than he should make.
C. He is less imaginative than he used to be.? D. He is not as skillful as he used to be. ?
What does the reader learn about Cooke's shell-collecting activities?
A. Not everyone approves of what he does.
B. Other methods might make his work easier.
C. Other tourists get in the way of his collecting.
D. Not all shells are the right size and shape for his work
A "lost tribe" that reached America from Australia may have been the first Native Americans, according to a new theory.
If proved by DNA evidence, the theory will break long established beliefs about the southerly migration of people who entered America across the Bering Strait, found it empty and occupied it.
On this theory rests the belief of Native Americans to have been the first true Americans. They would be classified to the ranks of escapee, beaten to the New World by Aboriginals (土著人) in boats.
To a European, this may seem like an academic argument, but to Americans it is a philosophical question about identity (身份), Silvia Gonzales, of Liverpool University said .
Her claims are based on skeletons found in the California Peninsula of Mexico that have skulls (头骨) quite unlike the broad Mongolian features of Native Americans. These narrow-skulled people have more in common with southern Asians, Aboriginal Australians and people of the South Pacific Region.
The bones, stored at the National Museum of Anthropology (人类学) in Mexico City, have been carbon-dated and one is 12,700 years old, which places it several thousand years before the arrival of people from the North. "We think there were several migration waves into the Americas at different times by different human groups," Dr. Gonzales said. "The timing, route and point of origin of the first colonization of the Americas remains a most contentious topic in human evolution."
But comparisons based on skull shape are not considered conclusive by anthropologists, so a team of Mexican and British scientists, backed by the Natural Environment Research Council, has also attempted to take out DNA from the bones. Dr. Gonzales declined yesterday to say exactly what the results were, as they need to be checked, but indicated that they were consistent(一致) with an Australian origin.
It is generally considered that the first Native Americans came from _____.
A.North Asia B.Australia C.South Pacific D.South Asia
The skeletons found in the California Peninsula of Mexico have _____.
A.the broad skull shape
B.the narrow skull shape
C.different features of Aboriginal Australians
D.the same features of Native Americans
The underlined “contentious” is similar in meaning to “_____”.
A.likely to cause great interest B.difficult to solve
C.well-known to all D. likely to cause argument
Which of the following statements is true according to the text?
A.Research on skulls can draw an exact conclusion.
B.DNA tests have proved the fact that the first Native Americans came from Australian.
C.Scientists are still not sure about the origin of the Native Americans.
D.People began to enter America across the Bering Strait about 12,700 years ago.
There’s a time to get angry, and it’s best for your child if you do. Let’s say your child hits a playmate with a toy hard enough to make the other child cry. How can you teach your child to feel sorry so he or she won’t do it again? Researchers say the best way for parents to react(反应)is to show their anger and to let the child know exactly why they are mad.
Many parents believe that it is best to control their feelings and to wait until they’re calm before scolding their children. But the mother or father who explains reasonably to a child , “Peter was crying because you hit him,” is not likely to attract much attention. Young children need to be scolded immediately, and strongly, before they’ll take criticism (批评)to heart.
When your young child does something wrong, scold him or her seriously at once. At the same time be sure to tell the child clearly what he or she has done wrong. An angry reaction without an immediate explanation does little good. Forbidding a child to play outside or not allowing him to watch TV as a punishment works well-but only when taken together with an explanation. Make sure your child understands that although his or her wrongdoing has made you angry, you still love him or her. Use simple, direct words such as, “You hurt peter. How would you feel if he hit you? You must never, never hurt people.” If your voice expresses strong feeling clearly, your message will carry enough weight.
According to researchers, how should parents react when their child did something wrong?
A.Ask the child not to do it again any time.
B.Show the child how angry they are and tell him why.
C.Teach the child why and how to say sorry to others.
D.Let the child know you still love hime or her.
What do many parents think they should do with the wrongdoer?
A.Calm themselves down before scolding him.
B.Hide their feelings when talking to him.
C.Explain immediately why he was wrong.
D.Speak strongly and angrily to him.
What could be the best title for the text?
A.Different Ways to Deal with Children’s Wrongdoings
B.Differences among Parents in Dealing with Children
C.Best Ways to Stop Children’s Wrongdoings
D.Research on Preventing Children from Hurting Others
A few years ago I had an “aha!” moment regarding handwriting.
I had in my hand a sheet of paper with handwritten instructions on it for some sort of editorial task. It occurred at first that I did not recognize the handwriting,and then I realized whose it must be. I finally became aware of the fact that I had been working with this colleague for at least a year,maybe two,and yet I did not recognize her handwriting at that point.
It was a very important event in the computerization of life—a sign that the informal. Friendly communication of people working together in an office had changed from notes in pen to instant messages and emails. There was a time when our workdays were filled with little letters,and we recognized one another's handwriting the way we knew voices or faces.
As a child visiting my father’s office,1 was pleased to recognize,in little notes on the desks of his staff,the same handwriting 1 would see at home in the notes he would leave on the fridge—except that those notes were signed “dad” instead of “RFW”.
All this has been on my mind because of the talk about The Rise and Fall of Handwriting,a book by Florey. Sire shows in her book a deep concern about the fall of handwriting and the failure of schools to teach children to write well,but many others argue that people in a digital age can’t be expected to learn to hold a pen.
I don’t buy it.
I don’t want to see anyone cut off from the expressive,personal associations that a pen still promotes better than a digital keyboard does. For many a biographer,part of really getting to know their subjects is learning to read their handwriting.
What some people advocate is teaching one of the many attractive handwritings based on the handwriting of 16th-century Italy. That may sound impossibly grand—as if they want kids to learn to draw by copying classical paintings. However,they have worked in many school systems.
51. Why was the author surprised at not recognizing his colleague’s handwriting?
A. He had worked with his colleague long enough.
B. His colleague’s handwriting was SO beautiful.
C. His colleague’s handwriting was SO terrible.
D. He still had a 1ot of Work to do.
52. People working together in an office used to ____________.
A. talk more about handwriting
B. take more notes on workdays
C. know better one another's handwriting
D. communicate better with one another
53. The author’s father wrote notes in pen _________.
A. to both his family and his staff
B. to his family in small letters
C. to his family on the fridge
D. to his staff on the desk
54. According to the author,handwritten notes _______.
A. are harder to teach in schools
B. attract more attention
C. are used only between friends
D. carry more message
55. We can learn from the passage that the author __________.
A. thinks it impossible to teach handwriting
B. does not want to lose handwriting
C. puts the blame on the computer
D. does not agree with Florey
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