Some plays are so successful that they run for years on end. In many ways, this is　 36　 for the poor actors who are required to go on repeating the sane　 37　 night after night. One would

 38　 them to know their parts by heart and　 39　 have cause to falter（结巴）.Yet　40　is not always the case.

　　A famous actor in a　 41　 successful play was once cast in the role of an aristocrat　 42　 had been imprisoned in Bastille for twenty years. In the last act，a gaoler（监狱长，看守）would always come on to the stage with a letter which he would hand to the prisoner.　 43　 the noble was expected to read the letter at each　 44　 ,he always insisted that it should be written out in full.

　　One night, the gaoler decided to play a joke　 45　 his colleague to find out if, after so many performances, he had managed to learn the　 46　 of the letter by heart. The curtain went up on the final act of the play and revealed（使显露）the aristocrat sitting alone behind bars in his dark cell. Just then，the gaoler　 47　 with the precious letter in his hands. He entered the　 48　and presented the letter to the aristocrat. But the copy he gave him had not been written out in　

 49　 as usual. It was simply a blank sheet of paper. The gaoler looked on eagerly,　50　 to see if his fellow actor had at last learnt his lines. The noble stared at the blank sheet of paper for a few seconds. Then，squinting（眯着眼看）his eves，he said,“The light is　 51　.Read the letter to me.”And he promptly handed the sheet of paper to the gaoler.　52　 that he could not remember a word of the letter either, the gaoler replied，“The light is indeed dim，sir. I must get my　 53　”With this, he hurried off the stage. Much to the aristocrat’s　 54　 ，the gaoler returned a few moments later with a pair of glasses and the　 55　 copy of the letter which he proceeded（继续进行）to read to the prisoner.

　　36．A. fortunate B. unfortunate C. happy D. unhappy

　　37．A. lines B. words C. plays D. roles

　　38．A. want B. ask C. expect D. wish

　　39．A. always B. never C. sometimes D. often

　　40．A. such B. the thing C. one D. this

　　41．A. highly B. high C. poorly D. poor

　　42．A. where B. what C. which D. who

　　43．A. Because B. Even though C. When D. Though

　　44．A. play B. performance C. role D. case

　　45．A. with B. in C. on D. to

　　46．A. pages B. joke C. lines D. contents

　　47．A. appeared B. disappeared C. came out D. came in

　　48．A. room B. cell C. stage D. office

　　49．A. English B. French C. order D. full

　　50．A. worded B. surprised C. anxious D. afraid

　　51．A. bright B. dim C. dark D. out

　　52．A. To see B. To find C. Seeing D. Finding

　　53．A. glasses B. lines C. light D. letters

　　54．A. surprise B. satisfaction C. anger D. amusement

　　55．A. usual B. old C. unusual D. new

　Some plays are so successful that they run for years on end. In many ways, this is　 36　 for the poor actors who are required to go on repeating the sane　 37　 night after night. One would

 38　 them to know their parts by heart and　 39　 have cause to falter（结巴）.Yet　40　is not always the case.

　　A famous actor in a　 41　 successful play was once cast in the role of an aristocrat　 42　 had been imprisoned in Bastille for twenty years. In the last act，a gaoler（监狱长，看守）would always come on to the stage with a letter which he would hand to the prisoner.　 43　 the noble was expected to read the letter at each　 44　 ,he always insisted that it should be written out in full.

　　One night, the gaoler decided to play a joke　 45　 his colleague to find out if, after so many performances, he had managed to learn the　 46　 of the letter by heart. The curtain went up on the final act of the play and revealed（使显露）the aristocrat sitting alone behind bars in his dark cell. Just then，the gaoler　 47　 with the precious letter in his hands. He entered the　 48　and presented the letter to the aristocrat. But the copy he gave him had not been written out in　

 49　 as usual. It was simply a blank sheet of paper. The gaoler looked on eagerly,　50　 to see if his fellow actor had at last learnt his lines. The noble stared at the blank sheet of paper for a few seconds. Then，squinting（眯着眼看）his eves，he said,“The light is　 51　.Read the letter to me.”And he promptly handed the sheet of paper to the gaoler.　52　 that he could not remember a word of the letter either, the gaoler replied，“The light is indeed dim，sir. I must get my　 53　”With this, he hurried off the stage. Much to the aristocrat’s　 54　 ，the gaoler returned a few moments later with a pair of glasses and the　 55　 copy of the letter which he proceeded（继续进行）to read to the prisoner.

C

　　What comes as a shock to many Westerners may be the unfriendly way that some Chinese treat waiters and waitresses in restaurants and bars. Over the last few years,as many in Beijing have made fortunes,I and many of my foreign friends have noticed a downturn in the treatment of those who work all hours and often live in terrible conditions to bring us our food,guard our homes and sell us clothes.It's not the common citizens,but the young nouveau riches(暴发户) Chinese in Beijing who are mostly guilty of this both social and human misbehavior.

　　It is not unusual to see and hear these people,especially the young women among their ranks,speaking rudely to the waiters and waitresses,as they sit there in the misguided belief that the latest mobile phone,a new car and designer clothes give them the right to talk to people like dirt.In one recent incident(事件) in an expensive restaurant near where I live ,I overheard the table next to me,two guys and a girl,tell the waitress "You really are stupid ",because she had brought them two glasses instead of three.They all burst into loud laughter as the young girl ran away to fetch another.In anther incident I saw a waitress reduced to tears as four well-dressed girls criticized everything from her accent to her looks.

　　Lately I have noticed that this rather unpleasant aspect of the nouveau riches has been taken up by many of their foreign peers(同类人).So I ask Beijing's bright young things to set a good example,and treat all people with equal respect.And I urge foreigners to follow the good examples of their Chinese language teachers and textbooks while adding some of the pleasantries of their own cultures,so that cultural interpenetration(相互渗透) has a positive influence and not a negative one.

　　Here I'd like to leave you with the words from Confucius:"What you do not wish for yourself, do not "do to others."

　　64.The writer has noticed that less respect is shown to _______ in Beijing in recent years.

　　　A.common citizens          B.waiters and the like

　　　C.young nouveau riches      D.some foreigners

　　65.The two incidents mentioned in Paragraph 2 are used to show ______.

　　　A.waiters and waitresses can make excusable mistakes

　　　B.waitresses are usually too shy to be laughed at

　　　C.some Beijingers are too particular about restaurant service

　　　D.what's being talked about is not rare

　　66.The young Beijingers are asked to set a good example in order to ______

　　　A.have good influence over foreigners

　　　B.leave a good impression on foreigners

　　　C.educate younger Chinese

　　　D.develop traditional Chinese culture

　　67.The origial title of the article is most likely to be _______.

　　　A.One Dark Side of the Bright Chinese Capital

　　　B.Beijing's Young Nouveau Riches,Watch Out

　　　C.Dno't Throw Away Good Manners,Please

　　　D.People Like Waiters Live at Bottom of Society